Archives
Intersectionality in the Archives: Making Black, Queer Voices Accessible
On December 7, 2020, the SAASC hosted Bridgett Kathryn Pride, the Reference Librarian for the Manuscripts, Archives, and Rare Books Division of the Schomburg Center at the New York Public Library.
The Schomburg Library was named after Arthur Schomburg who dedicated his life to collecting “vindicating evidence” of the worthiness of black culture to be studied and collected after a teacher told him otherwise. The New York Public Library purchased Schomburg’s collections in 1926.

The Schomburg Library is organized by format with collections represented in:
- Art and Artifacts
- Moving Image and Recorded Sound
- Photographs and Print
- Jean Blackwell Hutson Research and Reference
- Manuscripts, Archives, and Rare Books

Pride developed the research guide for the Queer Studies Collections which focuses on Black LGBTQIA+ studies within the Schomburg Center for Research in Black Culture. There are 24 collections representing the LGBTQ community at the Schomburg Center. While creating the research guides, Pride was greatly motivated by the lack of black women’s voices in the collections. Her work is guided by the principle of making black, queer voices accessible to researchers.
The SAASC would like to thank Bridgett Pride of the Schomburg Center at the New York Public Library for conducting this fascinating and informative discussion with the students of San Jose State University.
If you were unable to attend the live presentation, you can watch the event here. Remember to subscribe and let us know what you think!
We hope everyone has a safe and relaxing holiday break! See you in 2021!
**Curious about the archival profession? Consider joining the Society of American Archivists and the Society of American Archivists Student Chapter.



Rick has continued to add new films to the online collection, and when a friend forwarded me his call for volunteer film scanners, I replied immediately. A big perk of this volunteer gig was learning to use the lasergraphics motion picture scanner, which is capable of producing very high-resolution digital files, much better quality than I ever saw when I was working as an editor. The device is something like a projector connected to a computer controller, and I felt like I had one foot in the past world of celluloid and the other in the current digital technology, first threading the film onto the scanner, then turning to the computer to create the scan.
The second perk of scanning these films was watching them; scanning takes place in real-time, and once I hit “run job,” there was nothing to do but watch. I saw films on Argentinean ranches, the workings of an orchestra, on etiquette, teen marriage, and how to walk safely to school. My favorite during my volunteering stint was “Healthy Teeth, Happy Smile” a dental hygiene film from 1964. Hygiene films of all kinds are quite common, but what made this one interesting to me was that it featured an integrated cast, led by an African-American protagonist. Since most educational films of the 1950s and early 60s tend to depict an almost entirely white, middle-class world, this one stood out—and the giant set of teeth the heroine scrubs with a giant toothbrush was pretty memorable too.


