ACA Exam Information

Joshua Kitchens is the current Regent of Outreach for ACA (The Academy of Certified Archivists) and on May 3, 2021, his presentation went over the organization and the benefits of becoming a certified archivist. Kitchens is an Archival Educator at Clayton State University in Georgia, and is passionate about spreading awareness about the archival profession as well as the certification exam that is hosted by ACA itself.

ACA certifies archivists who are pursuing professional archival standards through this exam. ACA, also known amongst members as: The Academy, was established in 1989 and consists of board members in different regents. Depending on the regent, board members are in charge of creating exam questions, helping members renew their certificates, or promoting the exam.

Kitchens shared some reasons for why certification is advantageous for archivists:

-validating one’s skills

-standing out in the job market

-comparing one’s knowledge to a consensus national standard

-can help improve pay

The largest demographics of test-takers come from those working for governmental institutions (30%), academic institutions (25%), and corporate institutions (20%). Those who either want to, or are already working for these groups, would most likely be interested in taking the exam, although every archivist can apply to take it!

There are three main options to qualify for the exam.

• Option 1 is for those with a masters degree, 9 hours of archival courses, and 1 year of professional experience (1,750 hours).
• Option 2 is for those with a masters degree and 2 years of professional experience (3,500 hours).
• Option 3 is for those with a masters degree, 9 hours of archival courses, and who are committed to accomplishing 1,750 hours within 3 years. Option 3 is the most popular choice for students who just graduated from a library masters degree program.

The application process includes a $75 fee and some supplemental information such as descriptions of the archival program one is involved in, transcripts, and a letter of recommendation. Kitchens recommends documenting descriptions of archival work, so that when one’s hours are done and they’re ready to apply, they don’t have to spend much time writing about their specific achievements from the past 1-3 years.

The Academy breaks down knowledge into an overview of seven domains. Kitchens described these domains as the major work that archivists do or “the universe of archival roles and responsibilities.” Exam questions cover these topics.

1. Selection, Appraisal, and Acquisition
2. Arrangement and Description
3. Reference Services and Access
4. Preservation and Protection
5. Outreach, Advocacy, and Promotion
6. Managing Archival Programs
7. Professional, Ethical, and Legal Responsibilities

Recertification takes place every five years, and one can choose to either retake the exam or petition. The exam is remade every two years, so content is kept current. Petitioning includes demonstrating to the Academy that they are either contributing to the profession or continuing their education. There is no cost to recertify. Kitchens elaborated that recertification prevents a stalemate in the profession, and shared his personal experience with feeling great when petitioning. Revisiting all of his past triumphs and personal/professional development allowed him to feel more confident with his skills and more involved within the field. 

There are study guides and study sessions to help people prepare for the exam. Kitchens graciously shared his email addresses at the end of his PowerPoint so that if the website doesn’t cover a question, one can contact him directly. ACA’s website is: https://www.certifiedarchivists.org. His email addresses are: aca@caphill.com and outreach@certifiedarchivists.org. SJSU SAASC wants to thank Kitchens for his helpful and detailed presentation. It not only covered the basics for a well-known exam, but also introduced many students to its existence. We are grateful for his time and assistance!

For those of you who are taking the test this June, good luck! If you are interested in becoming a certified archivist, start planning for the 2022 exam, and get your application ready in March/April.

SJSU Survival Mode

I’m studying at SJSU to become a better information professional. Therefore, observing how information has been presented and processed in the past is a necessary step in my education. I challenge myself to never reach a stalemate in my navigation of the world, and to acknowledge, honor, and support the experiences people share with one other.

That’s why I’m drawn to SJSU’s virtual exhibit called Survival Mode which was led by Carli Lowe: University Archivist. It’s a powerful reminder that we are never alone, and that our struggles are unifying. Throughout the past 164 years, San José State students have encountered numerous crises such as wars, pandemics, and natural disasters, and their accounts have thankfully been memorialized by the university’s archives. The exhibit reminds us that while our experiences with COVID-19 may feel unfamiliar, they are not as unique as they seem.

The creators of this exhibit note, “there is a great deal of precedence and lessons to be learned from past successes and mistakes in how human society has responded to historic moments of crisis.”

The journal entries, pictures, news clippings, and yearbook comments of previous and current SJSU students serve as surprisingly comforting gifts. Organized by a timeline, you can click arrows to read their stories and see related information. After viewing this virtual exhibit, I felt a sense of great reassurance knowing that people, both then and now, are more than capable of rising from the ashes. You can explore the digital exhibit here: https://library.sjsu.edu/survival-mode.

My interview with Carli Lowe:

1. What was the process of compiling this exhibit and/or the resources that were used?

I worked with one of our talented student assistants, Samira Habibi, to search SJSU digital collections and the Spartan Daily archives for keywords related to the topics in the exhibit. Most of the content comes from yearbooks and the newspapers. Sometimes we would discover trails of breadcrumbs. For example, I came across an article in the Spartan Daily about a Japanese American alumni in a prison camp in Salinas during WWII making an appeal to students for art supplies. I then went into the yearbooks to find a photo of this alumni when she was a student.

2. What were your favorite and least favorite parts of compiling this exhibit?

When I started working on the exhibit, I knew there were some stories I would include for sure, such as the “Normal Hospital” opened during the 1918 flu pandemic, and the story about the SJSC football players who were in Honolulu when Pearl Harbor was bombed. But I most enjoyed finding unexpected connections between our campus and significant moments in history, such as the occupational therapy instructor who traveled the country lecturing on polio. Some of the work was also emotional. It was disturbing to read about the treatment of our Japanese American students during WWII, and our Muslim students following the September 11th attacks. I was also surprised to discover that one of our Aviation alumni was a pilot killed during the September 11th attacks. My least favorite part was just how long it took to figure out the technical details. We spent months and months locating the material, and I was impatient to share it, but it took time to think about how we wanted the online interface to function, how to best crop images, write contextualizing descriptions, etc. I was lucky to have the support of Diane Malmstrom (Special Collections and Digitization Coordinator) and the library’s webteam, specifically Lyna Nguyen and Jessie Cai, to help me with these details.

3. Do you have any plans or ambitions for future university archive exhibits?

There will be future University Archives exhibits, but for now I’m going to be focused on processing submissions to the Spartans Speak on COVID-19 project so that those can be accessible to the community.

4. What brought you to the library field? Do you have any tips for current students enrolled in the MLIS program?

What brought me to the library field is a long story that would require a live conversation, but the short version is that I was an elementary school teacher looking for a different way to connect people to transformative information. You can find a little bit more about that in my online portfolio, and I’m happy to talk and share more details. As far as tips, I think the most important thing I did as an MLIS student was to seek mentors and accept mentorship whenever it was offered. I don’t think it’s possible to have too many mentors.

Sierra Club’s Colby Library

SJSU SAASC welcomed spring with our April event, which highlighted the Special Collections at the Sierra Club’s William E. Colby Library. Archivist Joanna Black shared her wealth of knowledge regarding the historic club that was founded in the Bay Area in 1892. In 1901, a member named William E. Colby initiated yearly club camp outings. This successfully brought in a high number of new members, igniting a fire for recreation and collaboration. In the early ’50s, David Brower became the first executive chief of the Sierra Club. His coffee table photography book series, advertisements, and collectible coupons brought about attention from people unfamiliar with the club. The nature appreciation brought by Colby and the activist energy brought by Brower both remain to this day.

In 1958, a collaboration was made between the Sierra Club and UC Berkeley. The Sierra Club Archives is at Berkeley’s Bancroft Library, and houses archival materials and records that are too large for the Colby Library to store. The Colby Library’s collections include magazine publications, photographs, slideshows, oral histories, artwork, scrapbooks, and videos. Since its origin, the Sierra Club actually had a small library for members to research mountaineering, skiing, and hiking. However, the library’s purpose has shifted in the last 30 years. The preservation of existing collections and the usage of reference services to learn about the library’s history have replaced recreational topics.

Archivist Joanna Black was hired in 2018 and has accomplished an extensive amount of work with Colby Library’s non-bibliographic work, specifically their Special Collections. Here is a link to one of their most valuable pieces that became fully digitized: https://www.sierraclub.org/library/1928-high-trip-photo-album. This rare photography book showcases gorgeous pictures of the Canadian Rockies, and was a gift from photographer Ansel Adams to William Colby. Colby donated it to the library to preserve for future generations to enjoy. Digitization is a huge part of Black’s job, and she is working on making many unique photographs available for the public to view online.

Another prominent Colby Library project is “Voices of Environmental Justice”. The goal of this project is to to uplift non-white stories that were previously ignored. It was clear to see that Colby Library’s vast collection of historical artifacts is being presented and shared in a respectful manner, and that the library is serious about combating systematic racism. Black’s meeting conclusion about the Colby Library’s goal to “celebrate the accomplishments of people” is hopeful and reassuring. Her drive to continually improve the Colby Library’s impact on the world was both exciting and inspiring to witness.

UCLA Film and Television Archive

SJSU SAASC’s March event was kindly presented by archivists Mark Quigley and Todd Wiener from the UCLA Film and Television Archive. The UCLA Film and Television Archive is the second largest public repository of moving images in the United States (the first being the Library of Congress). With its impressive title, the UCLA Film and Television Archive has over 450,000 moving image holdings from motion pictures, television, and newsreels. Their presentation showcased independent collections that hope to “illuminate the art, culture, history, and work of people of color, women, and LGBTQ+ people.” Social justice and equitable representation are two chief topics that the UCLA Film and Television Archive focuses on, which was such a wonderful statement given by this prolific organization.

Since “most of the collections held at UCLA contain intellectual property that is owned by someone else, rights restrictions often do limit” what can be shown to the public and shared with documentarians and filmmakers. The archive’s media licensing division works directly with media makers to legally clear rights and consequently, provide archival footage to people who want to access it. 120 state-of-the-art vaults (some are even underground to protect nitrate film!) in Santa Clarita hold the treasures of the UCLA Film and Television Archive. The archive became part of UCLA’s library in 2019, which allowed students and community members to learn more about their meaningful work. Pre-Covid, the archive hosted public programming, screenings, symposia, and discussions at the Hammer Museum’s Billy Wilder Theater. During the pandemic, the UCLA Film and Television Archive is releasing virtual screening rooms. Their most recent online programs highlighted Asian American and Pacific Islander communities, LGBTQ+ families, and the suffrage movement. Check out www.cinema.ucla.edu if you’re interested, or if you want to access other free screenings.

The presenters also divulged staggering statistics: “50% of all films produced in the United States prior to 1950 are lost. Equally daunting, much surviving historic television now exists only on aging kinescopes and obsolete video formats.” The team therefore spends much time, energy, and resources to preserve analog films. Digital techniques are labor-intensive (frame-by-frame editing) and expensive (sometimes up to several hundred thousand dollars), yet they restore damaged and grainy moving images beautifully. Generous funding is provided by various foundations and grant agencies. Like many other archives, the UCLA Film and Television Archive is pursuing the strenuous, yet important task of preserving their collections for current and future generations to enjoy. Meeting attendees were able to watch rare clips of stories, outtakes, and trims from historically underrepresented voices.

It was clear throughout the presentation that Quigley and Wiener are passionate about their work. Their enthusiasm for uplifting groups that are often ignored was fantastic to experience. The valuable information they provided about their archive was truly a joy to learn about. SJSU SAASC uploads all of our Zoom meetings to our YouTube channel, so browse through to access this or previous presentations: https://www.youtube.com/channel/UC6puQeiFF-J6KuRc6_2WQcQ.

Image Attribution: A kinescope at the Canada Museum of Science & Technology in Ottawa. Peter Lindell, Canada Science and Technology Museum, CC BY 3.0, via Wikimedia Commons

A4BliP: Archivists for Black Lives in Philadelphia

In 2013, the Black Lives Matter organization was established to bring to the forefront the excruciating injustices Black people around the world repeatedly experience. Eight years later, there has simultaneously been both wonderful progress, and a desperate need for continual education and empathy. On February 22nd, 2021, two members of A4BLiP, whose acronym stands for: Archives for Black Lives in Philadelphia, discussed their ongoing efforts for the Black Lives Matter movement.

A4BLiP was born in 2017, and their mission is to stop the erasure and systematic oppression of Black lives within American archives. They are a volunteer-run group of information professionals fighting against racist systems and descriptions within archival work. Archivists Beaudry Allen (Villanova University) and Faith Charlton (Princeton University) gave SJSU students an important presentation, in hopes of spreading awareness, and advocating for better documentation and preservation of Black stories.

SAA (Society of American Archivists) surveys from 2004 and 2017 reveal that 90% of the archival profession is white. Allen explained that A4BLiP “largely seek[s] to push white archivists to deconstruct white supremacy in the archives and within the profession.” A4BLiP’s values statement, mission statement, and call to action can be found here: https://github.com/a4blip/A4BLiP. Their three core pillars involve collecting, supporting, and lifting up Black history narratives, working to make the archival space more inclusive, and increasing knowledge about police records.

To address issues in metadata, A4BLiP has created the Anti-Racist Description Resources document: https://archivesforblacklives.files.wordpress.com/2020/11/ardr_202010.pdf. As part of the resource development, the group sought out feedback from Black archivists, and compensated them for their work and time by raising funds through a GoFundMe campaign. Their recommendations include unlearning a “neutral” tone, expanding to a larger, more diverse audience, citing the correct names for records creators, making clear distinctions between the institution’s/archivist’s voice and the voice of the original records creator, avoiding terms that are harmful to the people they describe, and in general, being more transparent, honest, and compassionate when encountering Black records.

One does not have to be living in Philadelphia to participate in A4BLiP! As MLIS students and information professionals, we can all do more to elevate the often unacknowledged Black contributions in historical records, in addition to the contributions from other silenced and underrepresented groups. SJSU SAASC truly thanks Beaudry Allen and Faith Charlton for their edifying and informative discussion. Please check out this incredible team’s website at https://archivesforblacklives.wordpress.com/.

You can watch the presentation on our Event and Recordings Archive or on our YouTube channel.